Category Archives: Popular Culture

Avatar

Is one of the stupidest movies ever made:

If Avatar were drawn like a regular cartoon, or had been made on soundstages with sets and the like, would it be interesting? Would it hold our attention? The answer is, unquestionably no. There’s no chance anybody would even have put it into production, no matter that Cameron made the box-office bonanza Titanic. So the question is: Does the technical mastery on display in Avatar outweigh the unbelievably banal and idiotic plot, the excruciating dialogue, the utter lack of any quality resembling a sense of humor? And will all these qualities silence the discomfort coming from that significant segment of the American population that, we know from the box-office receipts for Iraq war movies this decade, doesn’t like it when an American soldier is the bad guy?

Podhoretz’ review is chock full’o’spoilers, but when something is as apparently ridden with PC cliches as this, it’s pretty hard to spoil it. Let’s hope they can apply the film-making technology to a good movie soon.

[Monday morning update]

Kurt Loder over at MTV has similar thoughts:

Cameron is a great action director. There’s a lot to look at here: the luminescent glow of the jungle in which the Na’vi live, the ancient Tree of Souls with which they commune, a spectacular range of mountains hanging high in the sky up above Pandora — and there’s a lot going on. The director and his battalion of digital technicians have cooked up a fantastical bestiary of Pandoran creatures — futuristic hammerhead rhinos; dogfighting battle dragons; and, in one virtuoso sequence, a vicious six-legged thingy that chases Jake through the jungle and off the edge of a cliff (see trailer). The meticulous detail in which these creatures have been rendered, and the complexity with which they’re arrayed in the film’s exotic environments, are undeniable marvels of moviemaking art.

Unfortunately, whenever the action lets up and we’re returned to the piddling story, the picture slumps like a failed soufflé. It’s also heavily laced with political instruction of a most familiar sort. Cameron, who’s now 55, is a self-acknowledged aging hippie, and his boomer worldview is strictly by-the-numbers. Quaritch and Selfridge are evil Americans despoiling the Na’vi’s idyllic planet in exactly the same way that the humans have (we’re told) trashed their own native orb. The invaders are armed with deplorable corporate technology (an odd animosity in a major-studio movie that reportedly cost more than $300 million to make), and they speak the familiar — and here rather anachronistic — language of contemporary American warmongering. (“We will fight terror with terror!” “It’s some kind of shock-and-awe campaign!”)

The Na’vi, on the other hand, with their bows and arrows and long braided hair, are stand-ins for every spiritually astute and ecologically conscientious indigenous population ever ground down under the heel of rampaging Western imperialism. They appear to have no warlike impulses themselves, and they live in complete harmony with their environment. (They even talk to trees.) Why, the movie asks, as if the question were new, can’t we be more like them?

No one argues that it’s not a brilliant technological feat. It’s just a shame that it seems to have a cliched, politically infantile story line.

Lit Crit

…of Al Gore’s poetry:

I have read worse poems than “One Thin September,” but not all that many. It is a dull, anaphoric litany riddled with malapropisms and marred by an unabashed tendency to pure bathos — no different from his prose. Close assessment of the piece might offer a corrective to those who continue to venerate its author.

…In sum, “One Thin September” is a dreadful piece of unmitigated fustian in every possible respect — tonal, structural, lexical, semantic, metaphorical — and should never have seen the light of print. If anyone ever needed fresh evidence for Al Gore’s want of discernment and unstinting self-infatuation, this is it. Those who don’t have the time to wade through 400 pages of largely tendentious argument and special pleading may content themselves by reading the poem. It tells them all they need to know. And the irony is unmistakable. For no matter how reluctantly, we owe him a debt of gratitude for this unintended exhibition.

One of my tests of someone’s political judgement is whether or not they any longer take Al Gore seriously.

This Story Is Worthless

without pictures:

The controversial Christmas display shows Jesus pointing a double-barrel shotgun at Santa’s dead body as Rudolph lays sprawled across the hood of a pickup truck nearby, WNCT reported.

Neighbors in Nipomo, Calif., called for the display to be removed, but its maker Ron Lake called it a work of art — in which Santa represents the commercialization of Christmas, the station reported.

“It’s an expression of my repressed creativity,” Lake told WNCT.

Uh huh.

[Update a few minutes later]

Here it is. Pic is kind of small, though.

Emily Bazelon’s Problem

Emily Bazelon isn’t aware of the depth of the irony of her piece at Slate, that describes her apathy to space (which she defines as “astronomy”):

The other night, my boys curled up on the couch with my husband and went to the moon. They were enthralled by a grainy video of Neil Armstrong’s 1969 shaky descent onto the pitted lunar sand. “Mom, the Eagle has landed!” they shouted in unison. “Come watch!” I was in the kitchen, reading Elizabeth Weil’s New York Times Magazine story on the perils of trying to improve a companionate marriage.

She and Liz Weil are soulmates. Liz spent many months hanging around Rotary Rocket in the late 1990s (I had dinner with her once in Tehachapi), doing research for a book that was roundly panned by everyone actually involved. For instance, see Tom Brosz’ review. It was quite clear that she had little interest in space herself, but was treating the thing as more of an anthropological expedition — a Diane Fosse “space engineers in the mist” sort of deal. Emily goes on:

I sat down, put the magazine aside, and tried to care about the moon, the planets, the stars, the galaxy. I concentrated on the astronauts and Sputnik and the race with the Soviet Union from JFK to Nixon. But I was interrupted by a stingy voice in my head: Just think what we could do on this planet with all the time and energy we spend trying to reach other ones. I know, I know: It’s anti-science, anti-American, anti-imagination. But I am incorrigibly, constitutionally earthbound. I have never willingly studied a single page of astronomy. My knowledge of the planets begins and ends with My Very Elderly Mother Just Sat Upon Nine Pillows (except, no more P, as Simon has informed me). I relish stories about NASA boondoggles for confirming my suspicion that the agency is a budget sinkhole.

Well, the agency (at least the human spaceflight part of it) is largely a budget sinkhole. We certainly don’t get value commensurate with the costs. It doesn’t have to be, but because most people are, like Emily, not that interested in space, at least as done by NASA, politicians are free to do whatever they want with its budget, so much of it ends up being simple pork. That’s just Public Choice 101. If Emily and others actually cared, perhaps NASA might have to do more useful things with the money.

But her ignorance extends far beyond simple astronomy. For someone who seems to revel in the fact that NASA wastes its money, like much of the public, she is profoundly unaware of how much (or relatively, little) money it actually is:

Simon has been asking for a periscope. He also says that when he grows up, he’s going to be an astronomer and an astronaut. I mentioned biologist as an alternative a few times. But then I stopped. Now I tell him that I can’t wait for him to teach me all about the solar system. Maybe he’ll be a rebel astronomer, and someday reform NASA, or call for an end to manned space missions so that the money can be used to fix Social Security? A mother can dream.

If she thinks that ending human spaceflight would be more than spitting in a hurricane with regard to the Social Security budget, she is innumerate beyond belief. You could either double, or zero, the NASA budget, and either way it would barely be a rounding error in SS, or the rest of the federal budget in general. I wish that more people thought that space was important, and that it was about more than astronomy. I also wish that people would think and care more about how, not whether NASA was spending the money. But as long as they’re so ignorant as to think that NASA, wasteful or not, has anything to do with the deficit, or the failure to solve intractable social problems (we saw an excellent example of this during the presidential campaign, when candidate Obama’s first space policy was written by an education staffer who thought that we could use the NASA budget for more education funding), we’re unlikely to get better space policy, or policy in general.