This is great.
What a wonderful document: Chuck Jones's rules for writing the Road Runner and Wile E. Coyote. ht @AmosPosner pic.twitter.com/o5ziZymEcY
— Saladin Ahmed (@saladinahmed) March 4, 2015
This is great.
What a wonderful document: Chuck Jones's rules for writing the Road Runner and Wile E. Coyote. ht @AmosPosner pic.twitter.com/o5ziZymEcY
— Saladin Ahmed (@saladinahmed) March 4, 2015
How he became a sex symbol.
[Update a while later]
Why is everyone so surprised that a classically trained woman can sing?
She's broadening her audience, and reviving classic popular music to a new generation. Good for her.
— Rand Simberg (@Rand_Simberg) February 23, 2015
[Update few minutes later]
Whenever I hear about records for box office, I always wonder if they really are, in terms of inflation adjustment. Well, here’s the top ten with that adjustment. There are a few surprises, but I’m not at all surprised that Gone With The Wind is number one.
The SJWs have lost the moral high ground, and are on the run.
And of course, this is one of the ways of bypassing the Leftist gatekeepers.
How the movie distorted history.
The Left always has to whitewash (almost literally, in this case) the past.
Kyle Smith isn’t as impressed with him as we’re supposed to be:
Though Stewart has often claimed he does a “fake news show,” “The Daily Show” isn’t that. It’s a real news show punctuated with puns, jokes, asides and the occasional moment of staged sanctimony.
It contains real, unstaged sound bites about the days’ events and interviews about important policy matters.
Stewart is a journalist: an irresponsible and unprofessional one.
Yes, as Jim Treacher put it, the “clown nose off, clown nose on” schtick got pretty tiresome. The tears of all those bewailing his departure are delicious.
Kevin Williamson isn’t going to miss him.
Me, neither. Of course, I almost never watched.