Back On The Air

I’ve had some problems with my site. I ended up having to restore it to a version from early yesterday morning, so all of yesterday’s posts have to be put back up manually, and I’m in the process of doing that. But all comments (on all posts–not just yesterday’s) made yesterday have gone on to that big bit bucket in the sky, so if you said anything that needs to be memorialized for the ages, you’ll have to resay it, after I get all of yesterday’s posts back up.

Sorry About That

I ran into disk allocation problems again last night. It’s fixed now (sort of), but my database got munged, and any comments put up during that period have been lost. In fact, any post that was commented on wiped out all of the comments for that post, and that’s an ongoing problem, so please no commenting until further notice. I’m going to try to back up to yesterday, when the problems started.

Lights, Camera, Semiotics!

Here’s an interesting piece from the LA Times about how postmodernists have taken over film schools. I found this particular paragraph revealing, though I’m not quite sure of what:

From Kevin Brownlow, the world’s leading silent movie historian, author of “The Parade’s Gone By . . .,” and co-producer, with David Gill, of acclaimed documentaries: “You would think, from this closed-circuit attitude to teaching, that such academics would be politically right wing. For it is a kind of fascism to force people practicing one discipline to learn the language of another, simply for the convenience of an intellectual elite. It’s like expecting Slavs to learn German in order to comprehend their own inferiority. But they are not right wing. They are, regrettably, usually left wing?quite aggressively Marxist?which makes the whole situation even more alarming.”

I would have liked more elaboration why that was “alarming,” rather than completely unsurprising. Apparently, even some leftists are embarrassed by this stuff.

Biting Commentary about Infinity…and Beyond!