Category Archives: Popular Culture

Supersonic Flight

Over @NRO, Josh Gelernter is far too credulous of Airbus’s announcement of a supersonic transport:

In April 1976, Congress banned supersonic passenger planes from landing in the United States. The ban was overturned by the courts in 1977, after it was pointed out that the Concorde — which flew at subsonic speeds around the airport — was in fact quieter than conventional jets. Never mind: Like irrational fears about nuclear power or GMOs or vaccines, sonic-boom panic sustained anti-Concorde campaigns, which successfully throttled its business. When the Concorde was announced, airlines around the world placed combined orders for more than a hundred planes. By the time it made its first flight, a quarter of the orders had been withdrawn. By the time the production line was up and running, three-quarters of the remaining orders had been canceled. Only 20 Concordes were actually built; all 20 were bought by the British and French governments, which had paid for the Concorde’s development. They were flown by BOAC and Air France.

When Pan Am launched the first transatlantic passenger flights in 1939, a round-trip ticket cost $675 — which is about $11,000 in today’s money. Clipper flights were even more exotic than Concorde flights; nonetheless, within a few decades, they had driven ocean liners out of business. Because so few Concordes made it into service, service prices never came down, part prices never came down, operation never became routine. In 2003, the Concorde died, and mankind did something it does rarely: It took a step backward.

Concorde’s problem was not laws against supersonic overland flight, but very high operating costs, and limited range, due to the excessive wave drag. The real market for supersonic flight is transpacific, but Concorde could barely make it across the Atlantic. The initial orders were probably based on overoptimistic estimates of costs, and once reality sunk in, the orders dried up.

And to equate a commercial aircraft with Apollo and our later abandonment of lunar capability is a category error, unless he meant that in both cases they were economically unsustainable, in which case, it was best to end them.

So thank God for Airbus. Finally we — as a species — are back on track. Actually, Airbus isn’t the first aerospace firm to talk about bringing back supersonic passenger flight — but it’s the biggest and the most credible. An Airbus neo-Concorde is downright plausible. The new Airbus design, we’re told, will be able to fly from London to New York in one hour — two and a half hours quicker than the Concorde. Its top speed will be 2,500 mph to Concorde’s 1,350. And, for the hippies, it will have boom-dampeners, so the noise won’t bother western Long Island, and so it will be able to fly overland. Of course, the one, big, nagging problem is that Airbus is an Anglo-French company. Are we going to take that? I’m sure Boeing and Lockheed and Grumman all have e-mail addresses.

Key words: “…we are told…”

A 2500 mph aircraft will need much more exotic materials than the Concorde did to handle the high skin temperature, and its fuel consumption will be horrific, again with limited range. Note that there’s no mention of transpacific, it’s again just a faster way to get from New York to Europe. Its market would be just as, if not more limited than Concorde. I think that this is marketing hype (like Boeing’s Sonic Cruiser a few years ago). And he doesn’t seem to be aware of changes in the industry. “Grumman” is now Northrop Grumman, and it’s a company that has zero legacy of building a commercial transport. “Lockheed” is Lockheed Martin, and it got out of the airliner business in the late seventies, after the commercial failure of the L-1011 Tri-Star. The notion that either of them are going to get in against Boeing with a supersonic transport is a flight of fancy. I am working on a concept that might make supersonic flight practical, but I see nothing about Son of Concorde that would do so.

Jon Stewart’s Racism

Yes, call him out on it:

These liberal/progressives deserve to be called out–every single time–on their hypocrisy. Don’t hold back calling them the “r” word, because they surely would not, if the tables were turned.

Yes (though they’re neither liberal or “progressive” — their ideas are some of the oldest ones in the book). I long ago lost any compunction in calling them racist, because they have no problem whatsoever falsely accusing me of that. And in their case, calling them out on it has the additional virtue of actually being true.

Remember Memogate?

The makers of a new Dan Rather documentary apparently don’t:

Now, I say “probably,” because I can’t exclude the very remote possibility that in the early 1970s Bush’s commanding officer, for reasons lost to history, decided to type up these memos himself (even though his wife said he couldn’t type) rather than getting his secretary to do it.

I can’t prove that he never got his hands on a rather exotic typewriter instead of using the ones that were in his office, spent some time working on it with a soldering gun, and managed to coincidentally produce a document that looked exactly like what you would get if you opened up Microsoft Word 2003 and started typing.

I can’t rule out the possibility that he, for reasons known only to himself, wrote these documents using Army jargon in several places rather than the terms that would have been used in the Air National Guard.

I can’t rule out the possibility that these documents somehow escaped from his office, roamed around in the wild for several decades, and eventually ended up in the possession of a retired lieutenant colonel in the Army National Guard, who had an ax to grind against both the National Guard and one George W. Bush.

I also can’t rule out the possibility that somewhere in this vast universe of ours, there is a planet composed entirely of marshmallow, where the rivers run with honey.

This document ended up on the air because neither Rather nor his producer did their jobs right. They ignored glaring red flags about the source of the document, including the fact that he kept changing his story and finally settled on an implausible and uncheckable version about a mysterious woman who wanted the originals destroyed because … um, why? (Mary Mapes, the producer, speculated that she might have been worried about DNA evidence. Too bad she did not settle on the more likely scenario: that they were destroyed to conceal their creation on a laser printer.) Rather and his producer ignored experts who raised problems with the document.

They rushed the documents onto air, and then, when the story exploded in their face, they spent an unconscionably long time attacking the people who had pointed out the glaring issues with their source material. They clung to theories along the lines of Lieutenant Colonel Jerry Killian assiduously fiddling with the margin stops on his typewriter, such that they coincidentally lined up exactly with the defaults in as-yet-uninvented Microsoft Word. For two weeks, they dragged their network through a professional embarrassment of a scale that has rarely been reached again, because they didn’t do the most basic thing we’re paid for: properly vet their story before they started hurling serious, potentially election-altering accusations at a sitting president.

I find it amazing that there are still people who believe that document was genuine. This was my take, at the time, on the stupidity of Mary Mapes.

Mr. Sulu

set phasers to racist:

By referring to Clarence Thomas as “a clown in blackface,” George Takei has taken away nobody’s dignity but his own.

Why is it okay for a Japanese man to use such racist language against a black man? Because of their relative positions in the hierarchy of grievances. Sure, Thomas is black, and therefore he’s a designated victim. But he’s also a conservative, and he’s explicitly rejecting the narrative of victimhood that underpins the entire “social justice” movement. Therefore, the black dude is trumped by the gay Asian dude. Takei can spew as much racist garbage as he wants, and he’s protected because he not only embraces his own victimhood, but he treasures victimhood itself like the purest gold. Without it, he’s just another washed-up actor from a schlocky old show about spaceships.

Not that I doubt Takei means what he says. He really is a huge racist.

Indeed.

[Saturday morning update]

Posted without comment.

Thomas-Takei

The Law-School Bubble

How it happened:

The small town lawyer used to loom large in the American psyche. When an American of a certain age pictured a lawyer he thought of Abraham Lincoln, Atticus Finch, Perry Mason, or Matlock.

These lawyers were regular guys who took the business that walked in the door. If you went to law school expecting to be Perry Mason or Matlock you were certainly disappointed by how boring your life was, but not by what you earned.

After L.A. Law and The Firm Americans stopped thinking of lawyers as solo practitioners and somehow decided that all lawyers were good looking, interesting, and super, extra rich. This drew a whole new wave of confused history majors from college to law school, and floated a thirty year boom in the number of law schools, the number of law students, tuition, and profits. This was awesome news for law schools, less so for everyone else.

It didn’t help that it was subsidized by the student-loan program.