I agree with Lileks:
As I’ve noted before – this week, I think – the middle portion of Holst’s “Jupiter” has always hit me as the most English Thing Ever – uncomplicated at its heart, outwardly stern, stoic in its cultural patriotism, sweeping up everyone in a broad assertion of national identity that prides itself for the treble virtues of tradition, decency, and resolution. Doesn’t mean that’s the case, of course; music seduces. There’s a reason the Sirens sang instead of sending sailors well-written notes. One of the most moving national anthems I’ve ever heard is for Oceania, from “1984.”
But.
Holst captured something at its peak and its prime, a moment of leonine gravity as true as it was idealized. I’ve waited decades to go there and stand at the place where I start to hum it to myself. Wonder where that’ll be.
Anyway. My daughter has been to a dozen countries because I want her to get the flavor for the Marvelous Elsewhere early on, and also experience the joys of seeing home through new eyes when you return. We have the occasional dinnertime conversation about why America is different, and why America is good, arguments to counter the schoolmates who say the world would be better off if there wasn’t an America. (You can imagine the usual reasons.)
I hope the lessons take.
Sadly, too few want to teach them. And that is also my favorite movement from The Planets. When I was a kid, all I knew it as was the theme to the evening news (Huntley and Brinkley, I think, on NBC), but just the opening of it. Hmmmm…[googling] Yup. I never heard the whole thing until I bought an album of the entire suite, and I loved the middle section.
[Update a few minutes later]
Amazing. I still tear up when I listen to that passage. Just beautiful. You can hear where John Williams got a lot of his influence for the movie scores.
[Afternoon update]
OK, there seems to be some dispute about the Huntley-Brinkley theme, and it does seem to be Beethoven. OK, so which news show from the sixties used the Holst?