Clark Lindsey has done us all the favor of reviewing The Space Review today. Like him, I was struck by Tayylor Dinerman’s completely ignoring ULA in his discussion of the “burgeoning” commercial space industry. But even more, I agree that Dwayne Day’s broad conclusion about public interest in space and space settlement from a single stupid network program is absurd:
The paradigm that near-term space can only involve a small number of people in a small habitat doing technical and scientific tasks does not lend itself to great story telling. Conflicts are required for compelling stories and lots of different types of conflicts are needed to generate enough stories for a compelling TV series. I think the “nearest” near future space scenario that could generate an interesting diversity of plots with a diversity of characters would involve a couple of thousand people populating multiple LEO space stations and habitats at a Lagrange point and bases on the Moon. Commercial, government, and international activities of various kinds would inevitably lead to all sorts of conflicts.
Let’s ignore the fact that most television shows (and particularly Big (though becoming smaller) Three Network television programs) fail, often epically. Big media, like (apparently) Dwayne, remain stuck in the Apollo paradigm of space being about a few civil servants doing science and exploration, at great government expense. Here’s an idea. Try a show about real space pioneers and see how popular it is. IIRC, “Lost In Space” actually did pretty well back in the sixties, or at least a lot better than the schlock that Dwayne reviewed. It’s not the sixties any more, but let’s give it a try anyway. It’s not like LIS was based on the NASA paradigm, so that wouldn’t explain its sixties success, right?